Ilya Naishuller puts space travel on steroids in his latest extravaganza for Russian rock band Leningrad.
You are here
The third video to come from Róisín Murphy's collaborative ventures with Maurice Fulton is another wildly experimental vision directed by the artist herself.
Felix Brady's second video for Col3trane is another VFX-fired feat of visual ingenuity, to show he's a young director who's becoming a dab hand at bringing old school tech bang up to date.
Oscar Sansom unleashes a world of colour with this quirky modern take on the man with the Midas touch for One Bit and Louisa Johnson's Between You And Me.
Big-hitting commercials director Seb Edwards makes a spectacular splash into the world of music videos with this epic visual blockbuster for Jon Hopkins.
Panic! at the Disco's new video, directed by Brendan Walter and Mel Soria, for their track High Hopes is a performance piece shot on location in downtown LA.
Frontman Brendon Urie scales some dizzying heights for this simple yet well, executed premise, utilising some highly effective VFX to create the impressive visuals.
Dave Meyer's creates the Gospel of Travis Scott in his video for the rapper's new track Stop Trying To Be God.
Combining outlandish VFX and various explicitly biblical visual concepts, Meyers creates a brilliantly executed performance piece that while arguably blasphemous and calculatingly crude, appears to underline the iconography and worship surrounding modern-day celebrities.
A few months ago, Kali Uchis's video for After The Storm, directed by Nadia Lee Cohen, featured Tyler the Creator, and displayed a certain Tyler-esque aesthetic. So how apt that Tyler's video for See You Again - featuring Kali - should continue the cartoon surreal subversiveness of that video, and ramp it up even more.