Die Antwoord ft The Black Goat 'Alien' by Ninja

Die Antwoord ft The Black Goat 'Alien' by Ninja
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Die Antwoord's latest video is another boundary-pusher by the South African rave-rap group - directed by the band's Ninja from a story conceived by him with bandmate (and wife) Yolandi Visser – that skewers America's made possible by the work of LA-based visual effects studio JAMM.

Shot in Detroit, the video for Alien features Yolandi as a hoodie-wearing, insect-resembling alien. As she walks through a gritty and starkly real world, her non-citizen status denies her service at a diner, forcing her to trawl the streets alone.

Amidst the bleak background, a glowing centipede-like creature encircles the alien girl. She catches it, and eats it – ravenously – tearing into its carcass and gooey entrails. A metamorphosis begins, as a webbed cocoon begins to grow and glow around the entire shape of her body. The process becomes even more gorgeously realized through another transformation from unreal to real, as a second creature breaks through the cocoon. Emerging through the webbing, a human girl is revealed (played by Sixteen Jones, Ninja and Yolandi’s real-life daughter.)

Ninja's typically idiosyncratic parody on attitudes towards outsiders and migrants came out of his own sense of otherness that Die Antwoord felt when they came to the United States. He was introduced to JAMM by editor Leo Scott, his goal for the VFX was to create something never-before-seen yet authentic-feeling, a creature transformation which could exist within the pages of National Geographic.

“Ninja has such a strong vision,” says Andy Boyd, VFX Supervisor at JAMM. “He knows exactly how he wants something to look, and he works with you to get there and get it onto the screen.”

References from the natural world - moths, plants, coral and growing mushrooms - were interpreted to create the cocoon-like formation. JAMM made a custom digital mould that could evolve, with thin threads of webbing that would grow down the contour of her body. As the webbing grows, there is a physicality to it that grows denser and denser.

    

“We're used to doing complex creature work... the cocoon was a new type of challenge,” says CG artist Zak DiMaria, who led the JAMM team through the cocoon FX simulation, the most challenging aspect of the VFX process. “It was important to Ninja that the cocoon looked very real, but also unlike anything people had seen before. We based the material of the cocoon on different moulds and fungi to ground it in reality. Then we simulated it and allowed it to evolve and grow on its own into a very detailed and beautiful structure.”

Another exciting aspect for this project was creating a photorealistic centipede with the wings of a damselfly, explains animation supervisor Stew Burris. “Ninja had a clear idea in his mind of how this creature should move and behave. He didn't want it to look too Tinkerbell or Fairy-like. Because this creature does not exist in nature, I used a combination of damselfly and centipede references to find a believable middle ground. These are the types of challenges I truly enjoy as an animator.”

Additionally, JAMM created the CG opening titles featuring the neon-lit insect encircling the Die Antwoord logo and song title. The sequence sets the mood for the entire film, a bizarre visual feast enhanced by JAMM’s attention to detail, from the creation of the centipede’s glowing internal organs to the delicate webbing of the cocoon.

Credits

Director
NINJA
Wardrobe
Gabrielle Dersigny
VFX
Jamm
Director of Photography
Alexis Zabe
Editor
Leo Scott
Story By
NINJA & ¥O-LANDI
Conceptual Designer
AARON BECK
Alien Girl
¥o-landi Vi$$er
Human Girl
Sixteen Jones
Practical VFX
JASON HAMER
VFX Supervisor
Andy Boyd
FX
Zachary DiMaria
Animation Supervisor
Stew Burris
CG Artist
Brian Burke
Lead Flame
Patrick Munoz
Production Coordinator
Justine Pregler
Executive Producer
Asher Edwards
Additional VFX
BIG LAZY ROBOT

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